Tune in to the Sundance Channel tonight at 9 PM to catch David Byrne on the latest episode of the show Big Ideas for a Small Planet, titled "Transport." Byrne, a longtime advocate of urban bike use, will be part of a segment focusing on efforts to make cities more bike friendly. There's also word on his collaboration with Dirty Projectors for the forthcoming edition of the Red Hot compilation album to benefit AIDS research. Also on the album are Feist, Sufjan Stevens, Grizzly Bear, Sharon Jones, The Decemberists, and The National, whose Bryce Dessner is producing the collection.

David Byrne, in an op-ed contribution in today's New York Times, reflects on the life of the acclaimed American artist Robert Rauschenberg, who died Monday at the age of 82, recounting his own personal experiences with the man he knew as a friend, a colleague, and an inspiration.

New York magazine celebrates its 40th year with a special anniversary issue. In it, the magazine's culture critics give their take on the most essential New York works of art since the publication's inception, "The New York Canon: 1968-2008," featuring performances and works by Steve Reich, John Adams, Laurie Anderson, Audra McDonald, Adam Guettel, Stephen Sondheim, David Byrne, Brian Eno, and The Magnetic Fields.

In an in-depth article for Wired magazine, David Byrne examines the history of music, recorded and performed, and looks ahead, offering six possibilities for what the future might hold for creators, distributors, and consumers of music in its many forms. Included with the article are a number of audio clips from his conversations on the subject with Brian Eno, label execs, and artist managers. In a separate article, Byrne and Radiohead frontman Thom Yorke chat about the interplay of business and art in music.

"In many ways, a collaboration between [David] Byrne and [Robert] Wilson was perfect," says Pitchfork's review of The Knee Plays. Bringing the material to CD for the first time, with previously unreleased bonus tracks, the Nonesuch reissue includes "a dense recollection of the pair's mind-meld by Byrne himself." And yet, even "extracted from its theatrical roots, Byrne's score holds up remarkably well."

David Byrne was on hand last week for Caetano Veloso's first show at the Nokia Theatre in New York, and he's written about the experience in his blog. In this excerpt, he describes how Caetano and his band allayed any concerns about the mix of styles in pairing the new songs in a set with the familiar older favorites. Riding home on his bike after the show, Byrne passed the brand-new home of the New York Times—a towering skyscraper designed by starchitect Renzo Piano—and took the occasion to muse on the state of journalism.